Articles tagged with: "enharmonicequivalents"

The Diminished Second: Unraveling Music Theory's Curious Unison

The Diminished Second: Unraveling Music Theory's Curious Unison

Published on 14 Jun, 2025

Explore the diminished second, a fascinating music theory interval that sounds like a unison but is crucial for understanding advanced harmony, chord spelling, and enharmonic relationships. This article breaks down …

Read more
Unlocking the Diminished Sixth: A Guide to Its Tense Beauty

Unlocking the Diminished Sixth: A Guide to Its Tense Beauty

Published on 14 Jun, 2025

Explore the diminished sixth, a dissonant and expressive interval that is the enharmonic equivalent of a perfect fifth. Learn its definition, function, and use in creating harmonic tension in works …

Read more
Decoding the Augmented Seventh: Music Theory's Curious Interval

Decoding the Augmented Seventh: Music Theory's Curious Interval

Published on 14 Jun, 2025

Explore the augmented seventh, a unique musical interval that spans 12 semitones, making it sound identical to a perfect octave. This article decodes its theoretical purpose, notation, and use in …

Read more
Unlocking the Augmented Third: A Rare and Expressive Interval

Unlocking the Augmented Third: A Rare and Expressive Interval

Published on 14 Jun, 2025

Explore the augmented third, a rare interval that sounds like a perfect fourth but functions very differently. Learn its definition, spelling, and role in creating chromatic tension in music theory.

Read more
Secondary Dominants: Adding Color and Direction to Chord Progressions

Secondary Dominants: Adding Color and Direction to Chord Progressions

Published on 17 May, 2025

Secondary dominants are powerful harmonic tools that add color, tension, and forward momentum to chord progressions. By temporarily "tonicizing" non-tonic chords, secondary dominants create brief harmonic detours that enrich musical …

Read more