Mastering the 7#11 Chord: A Comprehensive Guide
The 7#11 chord, also known as the dominant seventh sharp eleven, is a rich and colorful extended chord that adds a unique flavor to harmonic progressions. This chord is widely used in jazz, fusion, and contemporary music to create tension and harmonic interest.
Definition and Explanation
Musical Examples
Here are practical musical examples to demonstrate the concepts:


The 7#11 chord is a dominant seventh chord with an added sharp eleventh (or augmented fourth). The basic formula is:
- Root
- Major third
- Perfect fifth
- Minor seventh
- Sharp eleventh (#11)
In chord symbols, it's typically written as 7#11 (e.g., C7#11) or sometimes as 7(#11).
Historical Context and Musical Significance
The 7#11 chord emerged prominently in 20th century jazz, particularly in the bebop and post-bop eras. It's strongly associated with the Lydian dominant scale (the fourth mode of melodic minor), which gives it its characteristic #11 sound. This chord became a staple in the harmonic language of composers like Wayne Shorter and Herbie Hancock.
Technical Construction
Interval Structure
The intervals that make up a 7#11 chord are:
- Root (1)
- Major third (3) - 4 semitones above root
- Perfect fifth (5) - 7 semitones above root
- Minor seventh (b7) - 10 semitones above root
- Sharp eleventh (#11) - 6 semitones above the octave (18 semitones above root)
Chord Formula
The formula can be expressed as: 1 - 3 - 5 - b7 - #11
Common Voicings
On piano, common voicings include:
- Rootless: 3 - #11 - b7 - 9 (right hand)
- Spread: Root (LH) - 3 - b7 - #11 (RH)
On guitar, common shapes include:
- X-5-4-5-6-X (C7#11)
- X-X-5-5-6-6 (G7#11)
Practical Applications
Jazz Usage
In jazz, the 7#11 is frequently used:
- As a dominant chord resolving down a fifth (G7#11 → Cmaj7)
- In tritone substitutions (Db7#11 instead of G7)
- As a static dominant (holding on the V chord)
Classical Context
While less common in classical music, you can find similar sonorities in:
- Late Romantic period (Scriabin, Debussy)
- 20th century composers (Stravinsky, Bartók)
Pop and Rock Examples
Used more sparingly in these genres, but appears in:
- Steely Dan's "Aja"
- Jamiroquai's "Virtual Insanity"
- Radiohead's harmonic vocabulary
Progressive Exercises
Level 1: Construction
Build 7#11 chords on all 12 roots, using closed position voicings.
Level 2: Voice Leading
Practice resolving 7#11 chords to their tonic (G7#11 → Cmaj7) with smooth voice leading.
Level 3: Improvisation
Improvise over static 7#11 chords using the Lydian dominant scale.
Level 4: Reharmonization
Take standard jazz progressions and substitute appropriate chords with 7#11.
Common Progressions
Here are some typical uses of the 7#11 chord:
- II - V - I with altered dominant: Dm7 - G7#11 - Cmaj7
- Tritone substitution: Dm7 - Db7#11 - Cmaj7
- Static dominant vamp: G7#11 - G7#11 - G7#11
Conclusion
The 7#11 chord is a versatile harmonic color that can add sophistication and tension to your playing. By mastering its construction, voice leading, and applications across genres, you'll significantly expand your harmonic palette.